Author. Copywriter. Dreamer.
You tried to call me by something I wasn’t. You tried to call me “love.” You tried to name me. You tried to fit me in a place you thought I belonged. But soon, you called me “too much.” Or “too little.” But you never called me “Enough.” I fell short. I needed to “calm … Continue reading you called me
She was a late bloomer. When the other girls wore mascara in 7th grade, she zipped up her favorite hoodie and wondered why. (She looks back on pictures now and knows why.) But she didn’t care. She wanted her books and her music and her laughter, not the attention of a prepubescent boy. Some people … Continue reading Ode to the Girl
In recent weeks I’ve had more time to read. I used to be an avid reader, especially of the classics, but college will do things to you. After reading a social science textbook for three hours straight, trying to make sense of abstract concepts and miles of charts…sitting down and reading a book afterward isn’t … Continue reading Writer’s Envy, Or, an Inch of Influence.
Dying is kind of a scary thing to think about. Whether or not you believe in something after death, it’s the fear of the unknown that causes discomfort when we come face-to-face with the reality. Although it is scary to think about sometimes, we have Hope that we might find eternal rest after our struggles here on … Continue reading Classical Crash Course, conclusion: Requiem for a Requiem
If you’re sick of French people, you should stop reading this right now. Because French people have been important to classical music, and I’m going to be talking about them a lot. French people are, by nature, sad. And that plays into a) classical music in general and b) what I’m going to talk about … Continue reading Classical Crash Course, part six: Like if You Cry Everytime
Humans are rebels by nature. If they weren’t, then teenagers wouldn’t come home with piercings in odd places and America would still belong to Britain. Also, if we weren’t such rebels, we wouldn’t have music. At least, we wouldn’t have the incredible diversity of music that we have today. When you think of rebellion as … Continue reading Classical Crash Course, part five: Things Get Weird (aka Impressionism)
This week, we’re going back in time. Or should I say, Bach in time, because that is an original joke I just thought of and no one else has. Also, today you’ll be getting two for one – I’m going to make you listen to TWO Baroque pieces you’ve probably heard before. Like most eras of music, … Continue reading Classical Crash Course, part four: Bach to the Future
I want to start this blog with an apology to all 4 of you who are reading this so far. On Wednesday, I promised I’d be bringing you Rachmaninoff, but I made a mistake. I thought the piece that I was thinking of was by our pal Rach, but it’s not. So instead of reading more … Continue reading Classical Crash Course, part three: Mahler? I Hardly Know Her
If you try to google how many songs about broken hearts exist, you won’t find an answer easily. Believe me, I tried as I was researching my next victim for Classical Music Crash Course. That probably means there’s an infinite amount, and they’ve been written since the beginning of time. There are some questions Google … Continue reading Classical Crash Course, part two: None But the Lonely Heart
Audrey D. DeBoer 